Dr. oec. HSG Dipl. Arch. ETH Christoph Michels

Michels, C., Hindley, C., Knowles, D., & Ruth, D. (2020). Learning atmospheres: Re-imagining management education through the dérive. Management Learning, 20. (ABDC_2016: A; ABDC_2019: A; ABS_2018: 3; VHB_3: B)

Elarji, D., & Michels, C. (2020). Same but Different: The Floating University Berlin (FUB) and the Making of Another University. Architecture and Culture, 1-23.

Michels, C., & Steyaert, C. (2018). Die Stadt und das Velo. HSG Focus, 3/2018.

Michels, C., & Steyaert, C. (2017). By accident and by design: Composing affective atmospheres in an urban art intervention. Organization, 24(1), 79-104. (ABS_2018: 3; ISI_2016: 2.121; ISI_2016_5year: 2.861; VHB_3: B)

Michels, C. (2015). Researching Affective Atmospheres. Geographica Helvetica, 70(4), 255-263.

Michels, C. (2015). Sensing the Entrepreneurial City. Lo Squaderno: Explorations in Space and Society(35), 43-46.

Michels, C., Beyes, T., & Steyart, C. (2014). Another new museum? Imagining the space of art in the creative city. Scandinavian Journal of Public Administration, 18(3).

Steyaert, C., Marti, L., & Michels, C. (2012). Multiplicity and reflexity in organisational research: Towards a performative approach to the visual. Qualitative Research in Organizations and Management: An International Journal, 7(1), 34-53.

Beyes, T., & Michels, C. (2011). The production of educational space: Heterotopia and the business university. Management Learning, 42(5), 521-536.

Beyes, T., & Michels, C. (2005). Augen auf und durch. Saiten-Ostschweizer Kulturmagazin, 20-23.

Michels, C. (2010). Räume der Partizipation: Wie man ein Kunstmuseum inszeniert.. Bamberg: Difo-Druck.

Michels, C., & Steyaert, C. (2020). Bicycle. In T. Beyes, R. Holt & C. Pias (Eds.), The Oxford Handbook of Meida, Technology, and Organization Studies (pp. 34-42). Oxford: Oxford University Press.

Michels, C., & Steyaert, C. (2019). Atmosphäre. In T. Hensel, M. Wild & R. Eikmeyer (Eds.), BAU [ SPIEL ] HAUS - Reader (pp. 236-241). Wien: VfmK Verlag für moderne Kunst.

Michels, C., & Steyaert, C. (2018). Atmosphäre. In T. Beyes & J. Metelmann (Eds.), Der Kreativitätskomplex: Ein Vademecum der Gegenwartsgesellschaft (pp. 44-49). Bielefeld: Transcript.

Michels, C., & Steyaert, C. (2018). Creative Cities. In T. Beyes & J. Metelmann (Eds.), Der Kreativitätskomplex: Ein Vademecum der Gegenwartsgesellschaft (pp. 70-75). Bielefeld: Transcript.

Steyaert, C., & Michels, C. (2018). Atmosphere. In J. M. Timon Beyes (Ed.), The Creativity Complex: A Companion to Contemporary Culture (pp. 43-47). Bielefeld: Transcript.

Steyaert, C., & Michels, C. (2018). Creative Cities. In J. M. Timon Beyes (Ed.), The Creativity Complex: A Companion to Contemporary Culture (pp. 87-91). Bielefeld: Transcript.

Michels, C., & Beyes, T. (2016). Spaces with a temper: on atmospheres of education. In T. Steyaert & T. &. Beyes (Eds.), The routledge Companion to Reinventing Management Education. Abingdon: Routledge.

Michels, C. (2016). Performing participation:re-assembling a new museum. In C. Steyaert, P. Hoyer & J. Nentwich (Eds.), Organizational Psychology. Mapping Discursive Dynamics.. Cheltenham: Edward Elgar.

Beyes, T., & Michels, C. (2014). Performing unisersity space: Multiplicity, relationality,affect. In P. Temple (Ed.), The Physical University: Contours of space and place in higher education.. Abingdon: Routledge.

Michels, C. (2013). Kompositionen Neuer Musik: Zur ästhetischen Ordnung urbaner Räume. In B. Lange, H.-J. Brükner & E. Schüssler (Eds.), Akustisches Kapital: Wertschöpfung in der Musikwirtschaft (pp. 107-127). Bielefeld: Transcript.

Michels, C. (2013). Performative Kultur als Designkultur. In Y. Milev (Ed.), Design Kultur: Der erweiterte Designbegriff im Entwurfsfeld der Kulturwissenschaft (pp. 216-228). München: Wilhelm Fink.

Michels, C. (2011). Parkour erleben: Wie Atmosphären inszeniert werden. In T. Conradi, H. Derwanz & F. Muhle (Eds.), Strukturenentstehung durch Verflechtung: Akteur-Netzwerk-Theorie(n) und Automatismen (pp. 113-128). Müchen: Wilhelm Fink.

Atelier für Sonderaufgaben, B., & Michels, C. (2009). Space Shuffle: Enacting Unusual Encounters. In T. Beyes, A. Deufelhard & S. Krempl (Eds.), Parcitiypate: Art and Urban Space (pp. 288-332). Sulgen: Niggli.

Michels, C. (2006). Technologien des Städtischen. In T. Beyes, H. Keller, D. Libeskind & S. Spoun (Eds.), Die Stadt als Perspektive (pp. 230-240). Ostfildern: Hatje Cantz.

Elarji, D., & Michels, C. (2018). Sensory Methodologies for Researching Affective Atmospheres in Higher Education Institutions. Presented at the Unspoken, Unseen, Unheard of Unexplored Realities in Qualitative Research, St. Gallen.

Michels, C., & Elarji, D. (2018). The other university: unsettling spaces of higher education. Presented at the Third International Conference on Geographies of Education, Loughborough.

Michels, C. (2014). Making sense of the urban: Re-composing public space through music making.. Presented at the Art of management conference: Creativity and Design, Copenhagen.

Michels, C., & Steyaert, C. (2014). Performing organizing: Affective atmospheres and moods of ardering.. Presented at the 30th Colloquium of the European Group for Organizational Studies (EGOS), Rotterdam.

Michels, C. (2014). Kompositionen urbaner Atmospären. Presented at the ETH Wohnform/ETH CASE Brownbag, Zürich.

Michels, C. (2014). Moods of ordering and the patterning of atmospheres. Presented at the Interdisciplinary and International Symposium: Atmospheres of Social Justice, Università Iuav di Venezia.

Michels, C. (2014). The city as socio-material performance. Presented at the Swiss STS meeting: Collecting, Organizing, Trading Big Data, Lausanne.

Michels, C. (2013). Sounding out of the creative city.. Presented at the International and Interdisciplinary Conference on Emotional Geographies, Groningen.

Michels, C. (2012). How music takes place: (De)Composing atmospheres of the creative city. Presented at the 28th Colloquium of the European Group for Organizational Studies (EGOS), Helsinki.

Michels, C. (2012). Music making as urban guerilla: Challenging the aesthetico-political orderings of Berlin's public spaces. Presented at the EASST/S4 conference, Copenhagen.

Michels, C. (2012). Researching Atmospheres in Urban Space. Presented at the Workshop: Approaching Atmospheres, Leuphana Universität, Denkerei, Berlin.

Michels, C. (2012). Compositions of the creative capital: An audio-visual ethnography on a music intervention into Berlin's public spaces.. Presented at the Workshop: Performing Actor-Network Theory: Socio-material practices of organising, University of St. Gallen.

Michels, C., & Siberberger, J. (2012). Möglichkeiten und Unmöglichkeiten des Partzipierens in Raumplanungsprozessen. Presented at the Workshop: Methoden und Instrumente kollaborativer Prozesse in der Stadt- und Quartiersentwicklung, Fachhochschule Nordwestschweiz, Basel.

Michels, C. (2011). (Up)Setting the rhythm of the creative city: A case study on the aesthetic (re)organization of public psaces. Presented at the International Ambiance Conference & Workshop, Ludwig-Maximilians-Universität, München.

Michels, C. (2011). Spaces of participation: Modes of ordering an art museum. Presented at the Geographisches Kolloquium, Fribourg.

Michels, C. (2010). Automatisierte Emotionen und die Möglichkeit ihrer Reflexion in künstlerischen Praktiken: eine ANT-Perspektive. Presented at the Workshop: zur Akteur-Netzwerk-Theorie, Universität Paderborn.

Michels, C. (2008). Re-constructing participation. Presented at the Standing Conference on Organizational Symbolism, Manchester.

Michels, C., Beyes, T., & Steyaert, C. (2008). Upsetting participation? Modes of ordering art spaces.. Presented at the 24th Colloquium of the European Group for Organizational Studies (EGOS), Amsterdam.

Michels, C. (2007). Rethinking Participation-User involvement in the production of urban spaces. Presented at the 23rd Colloquium of the European Group for Organizational Studies (EGOS), Wien.